Archive film · 2 minutes

The Reichenbach Family

Halberstadt, Germany

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One letter opened the archive

What survives, and where the record stops.

The film begins with Dolf Reichenbach’s letter from St. Moritz on 26 November 1938 and follows the surviving record through the family store in Halberstadt, dispossession, deportation, survival and return.

The film uses authentic family photographs and archival documents alongside one AI reconstruction based on the 1913 store façade drawing. That reconstruction is interpretive and is not presented as an original scan. The documents do not complete the story; they preserve fragments, make absences visible and show where questions remain.

Accessibility

Transcript

The transcript follows the film’s narration. On-screen captions use the archival spelling Dolf; the authorized narration renders the family name as Dolph.

Read the complete transcript

I carry my grandfather’s name. I never met him.

For most of my life, Dolf was a name that belonged to me.

Then I found a letter he wrote in 1938, from St. Moritz, to his mother, Margarete.

He was writing from outside Germany. He was writing about what that was worth.

Outside, one is a person again.

It was the first time I heard his voice. The letter opened an archive.

The objects do not offer a complete story. They offer fragments. A passport. A deed. Lists. Photographs. Objects from the family store.

Some records describe what was owned. Others mark the moment it was taken.

A 1938 deed names my great-uncle Fritz as Jewish, under the law used to take his property.

A transport list carries three names — Kurt, Paula and Hans — on a train to Warsaw.

The record ends at arrival. What happened after? We still do not know for sure.

Dolf survived. He came to America and began again.

He returned to Germany once, in the 1970s, with my father. He did not want to see the town.

He asked to go to one place only — his father’s grave — and there he said the mourner’s prayer, silently.

Years later, my father and I stood at those same graves.

They did not answer the questions we still have. They made the absences visible.

This archive does not complete the story. Explore what we’ve found — and what’s still missing — on our website.

Sources, method and credits

The record behind the film

Images in the film remain governed by their individual object records. Their appearance here does not grant permission for separate reuse.

Historical record

Family-held photographs, the 1938 St. Moritz letter, Paul Reichenbach’s passport, the forced-sale deed, transport-list pages and photographs connected to the J. Reichenbach store.

The transport list is held in Bestand 2/66 of the Archiv der Israelitischen Religionsgemeinde zu Leipzig; a USHMM copy is catalogued as RG-14.035, Reel 11, with online access through Statistik des Holocaust.

Interpretive image

The façade image is an AI reconstruction based on an original December 1913 architectural document associated with Stadtarchiv Halberstadt, Stadtbauamt 2/2485 and 2/2486. It is not a scan, facsimile or substitute for the original evidence.

Narration and music

Narration was generated in ElevenLabs using an authorized AI voice clone of Daniel Reichenbach. “Emotional Cello” by The_Mountain is used under the Pixabay Content License, track 155579.

Corrections and reuse

Credits for the underlying 1913 document and several Stadtarchiv Halberstadt photographs remain open to refinement. To correct an identification, add information or ask about reuse, contact the archive.